WORLD VOICES

DANCING FOR MY MOTHER
  BY DUFF BRENNA


Contents

Home
Introduction

About the Author
Dedication

Dancing for My
   Mother

World Voices Home

The Literary Explorer
Writers on the Job
Books Forgotten
Thomas E. Kennedy
Walter Cummins
Web Del Sol


          Vignettes, yes: Carol Marie leading you by the hand to kindergarten. She leaves you and goes off to grade school. You have your towel to lie on at naptime. The teacher gives everyone a spoonful of cod liver oil every morning. Terrible stuff. Fishy. But after you swallow it you are given a sip of grape juice, so maybe yuck followed by yum makes the ordeal worthwhile? Reading-time is best, when teacher reads stories aloud; naptime is next best; playing outside in the sandbox is good. The sides of the sandbox are carved to resemble the sides of a Jeep. Kids sit inside and make engine noises, tire screeching noises, machinegun noises, wounded noises, dying noises.

          When the day is over you are put on the front steps to wait for your sister to pick you up. You probably won’t have to wait long, but some days it seems forever. The sun going down. No one around. A maniac might grab you. Take you home. Cook you. Carve you like a roast. Serve you on a platter like a modest proposal. Waiting for sister makes you terribly anxious. The isolation. The sense of abandonment. What to do? Go back to the Jeep sandbox and hide? Bury self in sand the way you bury self in mudholes? Nose poking out. What do you know?

          How George Allison comes into your lives remains a mystery. Where did your mother find him? When did she marry him? DID she marry him? There is a Sunday Missal with an inscription inside that says: Carol Marie Allison. So maybe they were married. Your mother claims they were married. So let’s call him number two - pun intended.

          This Allison had a skunk streak of white hair running backwards from a pumped up widow’s peak. The rest of his hair was black and wavy. You imagine he was handsome (your mother is a magnet for handsome men), but all you see now are vague shadows. His anger. His spankings. His locking you in the closet in your room with your raggedy sailor doll. Punctuated points: He pulls the string. The light comes on. Play quiet, he says as he closes the door. You haven’t a clue why he makes the closet your playroom, other than perhaps you get in his way when it comes to having exclusive access to your mother and sister. You don’t cry in the closet. Really, you don’t mind it much at all. You nap in the closet. You use your sailor doll as a pillow and nap. Nothing wrong with that.

          Soon after Allison moves in you start wetting the bed. Out comes the hairbrush, a wet bottom making it sting all the more as you hop around shrieking your head off. Try to cover your behind with your hands—you’ll get your knuckles rapped. Your mother generally gives you three or four smacks, but when Allison does it you never know when the spanking will stop. Once he hits you so hard the handle breaks. He isn’t about to get pee on his palm, so he lets you go. The next day there is a new hairbrush. You keep wetting the bed. You don’t know until you wake up that you have done it again. Some mornings your mother and Allison are in too much of a hurry to check you. They rush out the door leaving you to your sister’s care. She pulls back the covers, opens the window. Lets the air dry the sheets. She never asks you why you do it. It seems like she knows. If so, she knows more than you do. She drapes your pajamas over the windowsill and gets you washed and dressed, feeds you cereal, takes you to kindergarten, leaves you there for another round of cod liver oil, stories, naps, sandbox, etcetera et-sis.

          This Allison comes as a ghost and floats through chambers not quite buried, not totally dark. Faint light brings him into your room, brings him on his knees beside your sister’s bed, brings her blanket down, brings his head between her legs, brings his gorged cock into his hand as his head moves up and down, nodding head saying yes, yes, brings the slick sound of his tongue lapping, brings her awake, brings her to say: Daddy, I have to go pee-pee. When he’s finished he wipes himself with a hanky, wads it, walks away, leaves her sprawled, her arms over her eyes as he

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