WORLD VOICES

DANCING FOR MY MOTHER
  BY DUFF BRENNA


Contents

Home
Introduction

About the Author
Dedication

Dancing for My
   Mother

World Voices Home

The Literary Explorer
Writers on the Job
Books Forgotten
Thomas E. Kennedy
Walter Cummins
Web Del Sol


beaming, her lovely mouth mirroring light—heavenly. You are told to call him Pappy. Later, Pappy changes to Daddy or Sir. Even though he is three years younger than your mother she calls him Daddy too.

          From him you learn: the Greeks are the chosen people, the smartest, most inventive, most advanced race of white men on this earth, the Greeks invented everything, including books and writing, the Greeks are the best warriors for war, in the ancient world no one could conquer a Greek, especially if he was Spartan. For years and years you will find yourself wishing you could be Greek. You will lie and tell people you are Greek and that Nick Pappas is your real dad. You doubt that many are fooled looking at this towheaded emaciated stick figure with skin so pale and translucent you can see veins running like blue tentacles all over his chest and arms. You can easily count his ribs. His spindly legs are hollow things with knobby knees and blades for ankles. His blue eyes, blond hair, high forehead, little round chin make him look Scandinavian. Which is what half of him is, the other half Irish. Pappas is six foot two, 200-plus pounds, size 13 shoes. He has black curly hair, bulbous lips that can thin into a line that looks chillingly grim. He has a large nose with a hump in it. His teeth, though very even and very white, are surprisingly small. His irises are so intensely brown they’re almost black. The eyes are mildly hooded. The black brows arching and well-defined, the forehead smooth and broad. Your mother says he looks like Victor Mature the actor in My Darling Clementine.

          So this Pappas is your new daddy. Your mother loves him like a god. She thinks he is gorgeous. She keeps saying he is a veteran of the war, a hero six-footer real man, a man from head to toe. They marry quickly. You’ve seen the wedding picture, so you know it’s true. It is a disappointing picture because Pappas is wearing a suit and tie. Without his sailor suit the shine is off him.


         
Turn the page to early evening, one of the first with Pappas as Daddy. A man leads a pinto pony around the courtyard. The man has a camera. For a small fee kids get to sit on the pony and wear a cowboy hat and chaps and have their picture taken. You are at the table eating dinner when the pony man comes by. You can see him out the window. Kids are climbing in and out of the saddle. It looks thrilling. Carol Marie bolts her dinner and gets permission to go downstairs and get a cowgirl picture taken. You can go too if you finish your liver and onions. You eat the liver but push the filmy onions aside. Your mother has never made you eat fried onions before, but those mollycoddling days are over. Pappas insists you eat your onions. No pony picture for boys who won’t eat fried onions. This is the first time Pappas asserts his new daddy-authority with your mother present. You try. You try really hard. By the time you put the first forkful in your mouth the onions are cold. Cold and slimy. You choke on them. You spit them back on your plate coughing and retching. You little bastard! Pappas roars. He slaps your face. Of course, sniveling little snot that you are, you immediately start wailing. He slaps you again. And he says, Stop that goddamn crying or I’ll slap you again! You believe him. His anger is terrifying. Stinging cheek and shock notwithstanding you stifle your sobs.

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