WORLD VOICES

THIS IS THE ONE WHO WILL LEAVE
  BY KERRY HARDIE


Contents

Home
Introduction
Dedication
Acknowledgments
About the Author
Thrush
Last Swim of the Day
Negation
The Satin Gown
October
Protecting the Buds
She Will Try Again to
     Recover Again

The Rough and the Smooth
A man died in the valley
     today,

What Happened to the
     Soviet Union

After the Prize
Porcelain Man
Being Here
Fear
On Reading Michael
     Longley's Snow Water

Reflection
Waning
Emigration Photo
California
Letter from the Old World
     to a Brother in the New

Sky
Domestic War
Grace
Freda Kahlo Goes Native
All Saints

World Voices Home

The Literary Explorer
Writers on the Job
Books Forgotten
Thomas E. Kennedy
Walter Cummins
Web Del Sol



On Reading Michael Longley's Snow Water

How casually death wanders through these poems.
Not so much the dying, as the settling of remains.
A thistly bed for you, with space for Edna should she choose it;
Viney's ashes swashing Thallabaun.

This question of the right place. Vital:
all that is mortal of us needs the time to wane—
to ramble round a bit and check the otter-runs,
to dabble in wet sand along the lapping edge.

Michael, you have grown serene and almost eager
to slough the snake-skin of intrigues, alarms, excursions
that once made up your life. Bare feet and rolled up trousers.
Edna in her nightdress counting swans.

Such grace. Such coming round full circle to the quiet of things.
The names of apples and of barges.
Flavours of snowy lickings that the shot ice-cream man sold.
You are living now with honed precision:

tea scoops and burial mounds,
the hover of a peregrine above your breastbone.
And all that turbulent past frailed-down like tissue—
the tissue she once spread to cut the dress that bound your lives.